Museums should return art created under coercion — whether in slavery or Auschwitz

The families of artist Dina Babbitt and potter Dave the Potter are advocating for the return of their artworks, arguing that these pieces were created under coercion in oppressive circumstances, including slavery and the Holocaust. This movement reflects a broader call for museums to reassess the ownership of culturally significant artifacts linked to historical injustices.

The discussion further highlights the ethical responsibilities of institutions in handling art with troubled histories. It raises questions about provenance and the moral obligation to address the impact of coercion on art creation.